Dionysus (Greek)
Alternative Names:
Διόνυσος, Διώνυσος, Dionysus, Dionysos, 디오니소스, Bacchus
Dionysus is the god of the vine. He invented wine and spread the art of tending grapes. He has a dual nature. On the one hand bringing joy and divine ecstasy. On the other brutal, unthinking, rage. Thus reflecting both sides of wines nature. If he chooses Dionysus can drive a man mad. No normal fetters can hold him or his followers.
Dionysus is the son of Zeus and Semele. He is the only god to have a mortal parent. Zeus came to Semele in the night, invisible, felt only as a divine presence. Semele was pleased to be a lover of a god, even though she did not know which one. Word soon got around and Hera quickly assumed who was responsible. Hera went to Semele in disguise and convinced her she should see her lover as he really was. When Zeus next came to her she made him promise to grant her one wish. She went so far as to make him swear on the River Styx that he would grant her request. Zeus was madly in love and agreed. She then asked him to show her his true form. Zeus, was unhappy, and knew what would happen but, having sworn he had no choice. He appeared in his true form and Semele was instantly burnt to a crisp by the sight of his glory. Zeus did manage to rescue Dionysus and stitched him into his thigh to hold him until he was ready to be born. His birth from Zeus alone conferred immortality upon him.
Dionysus problems with Hera were not yet over. She was still jealous and arranged for the Titans to kill him. The Titans ripped him into to pieces. However, Rhea brought him back to life. After this Zeus arranged for his protection and turned him over the mountain nymphs to be raised.
Dionysus wandered the world actively encouraging his cult. He was accompanied by the Maenads, wild women, flush with wine, shoulders draped with a fawn skin, carrying rods tipped with pine cones. While other gods had temples the followers of Dionysus worshipped him in the woods. Here they might go into mad states where they would rip apart and eat raw any animal they came upon.
Dionysus is also one of the very few that was able to bring a dead person out of the underworld. Even though he had never seen Semele he was concerned for her. Eventually he journeyed into the underworld to find her. He faced down Thanatos and brought her back to Mount Olympus.
Dionysus became one of the most important gods in everyday life. He became associated with several key concepts. One was rebirth after death. Here his dismemberment by the Titans and return to life is symbolically echoed in tending vines, where the vines must be pruned back sharply, and then become dormant in winter for them to bear fruit. The other is the idea that under the influence of wine, one could feel possessed by a greater power. Unlike the other gods Dionysus was not only outside his believers but, also within them. At these times a man might be greater then himself and do works he otherwise could not.
The festival for Dionysus is in the spring when the leaves begin to reappear on the vine. It became one of the most important events of the year. It's focus became the theater. Most of the great Greek plays were initially written to be performed at the feast of Dionysus. All who took part writers, actors, spectators were regarded as scared servants of Dionysus during the festival.
http://en.wikipedia.org/wiki/Dionysus
Greek mythology | Dionysus | Agricultural gods | Fertility gods | Greek gods | Life-death-rebirth gods | Nature gods | Offspring of Zeus | Roman gods | Thracian gods | Wisdom gods
Showing posts with label Nature. Show all posts
Showing posts with label Nature. Show all posts
Wednesday, December 26, 2007
Dionysus (Greek)
Saturday, September 15, 2007
Dione (Greek)
Dione (Greek)
Dione, (Greek: Διώνη) pronounced /daɪˈoʊni/, in Greek mythology is a vague goddess presence who has her most concrete form in Book V of Homer's Iliad as the mother of Aphrodite. Aphrodite journeys to Dione's side after she has been wounded in battle while protecting her favorite son Aeneas. In this episode, Dione seems to be the equivalent of Gaia the Earth Mother, whom Homer also placed in Olympus, and to that extent might be classed as a "mother goddess". Dione's Indo-European name is really less a name than simply a title: the "Goddess", etymologically a female form of Zeus. After the Iliad, Aphrodite herself was sometimes referred to as "Dionaea" and even "Dione", just "the goddess" (Peck 1898).
Roman "Diana" has a similar etymology but is not otherwise connected with Dione.
At the very ancient oracle of Zeus at Dodona, Dione rather than Hera, was the goddess resorted to in the company of Zeus, as many surviving votive inscriptions show. The birds associated with her at Dodona are doves, and her priestesses at Dodona were "doves", peliades.
Although Dione is not a Titan in Hesiod, but appears instead in his Theogony among the long list of Oceanids, Apollodorus includes her among the Titans (1.1.3 and 1.3.1) and the Roman mythographer Gaius Julius Hyginus makes her the daughter of the Titan Atlas. In the sculptural frieze of the Great Altar of Pergamum (2nd century BCE), Dione (inscribed in the cornice directly above with her name) figures in the eastern third of the north frieze, among the Olympian family of Aphrodite; thus she is an exception to the rule, detected by Erika Simon, that the organizational principle according to which the gods on the Great Altar were grouped, was Hesiodic: her company in the grouping of offspring of Uranos and Gaia is Homeric rather than Hesiodic, as is her appearance in the east pediment of the Parthenon but serves perhaps also to show how imperfect the fit in was her inclusion among any purely Olympian schema.
The archaic king Tantalus in Lydia had Dione as a consort: Hyginus says that Dione, daughter of Atlas, was the mother, by Tantalus, of Pelops, Niobe, and Broteas. See also Ovid, Metamorphoses 6.172 If a king's consort is "Dione", the logical implication is that he justifies his authority as the earthly, visible consort of "The Goddess" in an archaic model of sacred kingship.
Greek goddesses | Oracular goddesses | Oceanids | Divine women of Zeus | Nature goddesses
Dione, (Greek: Διώνη) pronounced /daɪˈoʊni/, in Greek mythology is a vague goddess presence who has her most concrete form in Book V of Homer's Iliad as the mother of Aphrodite. Aphrodite journeys to Dione's side after she has been wounded in battle while protecting her favorite son Aeneas. In this episode, Dione seems to be the equivalent of Gaia the Earth Mother, whom Homer also placed in Olympus, and to that extent might be classed as a "mother goddess". Dione's Indo-European name is really less a name than simply a title: the "Goddess", etymologically a female form of Zeus. After the Iliad, Aphrodite herself was sometimes referred to as "Dionaea" and even "Dione", just "the goddess" (Peck 1898).
Roman "Diana" has a similar etymology but is not otherwise connected with Dione.
At the very ancient oracle of Zeus at Dodona, Dione rather than Hera, was the goddess resorted to in the company of Zeus, as many surviving votive inscriptions show. The birds associated with her at Dodona are doves, and her priestesses at Dodona were "doves", peliades.
Although Dione is not a Titan in Hesiod, but appears instead in his Theogony among the long list of Oceanids, Apollodorus includes her among the Titans (1.1.3 and 1.3.1) and the Roman mythographer Gaius Julius Hyginus makes her the daughter of the Titan Atlas. In the sculptural frieze of the Great Altar of Pergamum (2nd century BCE), Dione (inscribed in the cornice directly above with her name) figures in the eastern third of the north frieze, among the Olympian family of Aphrodite; thus she is an exception to the rule, detected by Erika Simon, that the organizational principle according to which the gods on the Great Altar were grouped, was Hesiodic: her company in the grouping of offspring of Uranos and Gaia is Homeric rather than Hesiodic, as is her appearance in the east pediment of the Parthenon but serves perhaps also to show how imperfect the fit in was her inclusion among any purely Olympian schema.
The archaic king Tantalus in Lydia had Dione as a consort: Hyginus says that Dione, daughter of Atlas, was the mother, by Tantalus, of Pelops, Niobe, and Broteas. See also Ovid, Metamorphoses 6.172 If a king's consort is "Dione", the logical implication is that he justifies his authority as the earthly, visible consort of "The Goddess" in an archaic model of sacred kingship.
Greek goddesses | Oracular goddesses | Oceanids | Divine women of Zeus | Nature goddesses
Saturday, September 1, 2007
Diana (Roman)
Diana
Goddess of the hunt
Abode: Mount Olympus
Symbol: Deer
Parents: Jupiter and Latona
Siblings: Apollo
Children: None. She made a vow to stay chaste
Diana (lt. "heavenly" or "divine") was the goddess of the hunt, being associated with wild animals and woodland, and also of the moon in Roman mythology. In literature she was the equivalent of the Greek goddess Artemis, though in cult beliefs she was Italic, not Greek, in origin. Diana was worshiped in ancient Roman religion and is currently revered in Roman Neopaganism and Stregheria. Dianic Wicca, a largely feminist form of the practice, is named for her. Diana was known to be the virgin goddess and looked after virgins and women. She was one of the three maiden goddesses, Diana, Minerva and Vesta, who swore never to marry.
Along with her main attributes, Diana was an emblem of chastity. Oak groves were especially sacred to her. According to mythology, Diana was born with her twin brother Apollo on the island of Delos, daughter of Jupiter and Latona. Diana made up a triad with two other Roman deities: Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god.
Etymology
Diana (pronounced with long 'i' and a') is an adjectival form developed from an ancient *divios, corresponding to later 'divus', 'dius', as in Dius Fidius, Dea Dia and in the neuter form dium meaning the sky. It is rooted in Indoeuropean *d(e)y(e)w meaning bright sky or daylight, from which also derived the name of Vedic god Dyaus and the Latin deus (god), dies (day, daylight)
Theology
The image of Diana is complex and shows various archaic features. According to Dumezil it presents the character of a uranic god of a peculiar nature, referred to in history of religions as 'frame god'. Such gods, while keeping the original features of uranic gods, i.e. transcendent heavenly power and abstention from direct rule on worldly matters, did not face the fate of other uranic gods in Indoeuropean religions of becoming dei otiosi, as they did preserve a peculiar sort of influence over the world and mankind.
The uranic character of Diana is well reflected in her connexion to light, inaccessibility, virginity, dwelling on high mountains and in sacred woods. Diana is thus the representation of the heavenly world (dium) in its character of sovereignty, supremacy, impassibility, indifference towards secular matters as the fate of men and states, while at the same time ensuring the succession of kings and the preservation of mankind through the protection of childbirth.
These functions are apparent in the traditional institutions and cults related to the goddess. 1) The institution of the rex Nemorensis, Diana's sacerdos in the Arician wood, who held its position til somebody else challenged and killed him in a duel, after breaking a branch from a certain tree of the wood. This ever totally open succession reveals the character and mission of the goddess as a guarantee of the continuity of the kingly status through successive generations. The same meaning implying her function of bestower of regality is testified by the story related by Livy of the prediction of empire to the land of origin of the person who would offer her a particularly beautiful cow. 2) Diana was also worshipped by women who sought pregnancy or asked for an easy delivery. This kind of worship is testified by archeological finds of votive statuettes in her sanctuary in the nemus Aricinum as well as by ancient sources, e.g. Ovid.
According to Dumezil the function of frame god is to be traced in an Indian epic hero who is the image of Vedic god Dyaus: having renounced the world, i.e. the role of father and king, he has attained the condititon of an immortal being, although he keeps the duty of ensuring that in his dynasty there are always children and one king for each generation. The Scandinavian god Heimdallr performs an analogous function: he is born first and will die last. He too gives origin to kingship and the first king, bestowing on him regal prerogatives. Diana is a female god but has exactly the same functions, preserving mankind through childbirth and king succession.
Dumezil's interpretation appears to ignore deliberately James G. Frazer's, who connects Diana in her regal function with male god Janus as a divine couple, whereas his description of the type of the frame god would fit his own interpretation of Italic god Janus equally well. Frazer, however, gives a very different interpretation of the couple Diana-Janus: he identifies it with the supreme heavenly couple Juppiter-Juno and connects these figures to the religious Indoeuropean complex tieing regality to the cult of trees, particularly oaks. In this interpretative line the institution of the Rex Nemorensis and his ritual should be related to the theme of the dying god and the kings of May.
Physical Description
Diana often showed as a young girl, age around 13 to 19. It was believed that she had a fair face like Aphrodite with tall body, slim, small hips, and tall forehead. As a goddess of hunting, she wore a very short tunic so she could hunt and run easily and often portrayed holding a bow, carrying a quiver on her shoulder, with a deer or hunting dog, sometimes also her hunting result. But as a goddess of moon, Diana wore a long robe, sometimes a veil covered her head. Both as goddess of hunting and goddess of moon often portrayed wearing a moon crown.
Worship
Diana was initially just the hunting goddess, associated with wild animals and woodlands. She also later became a moon goddess, supplanting Luna. She also became the goddess of childbirth and ruled over the countryside.
Diana was worshipped at a festival on August 13, when King Servius Tullius, himself born a slave, dedicated her shrine on the Aventine Hill in the mid-sixth century BC. Being placed on the Aventine, and thus outside the pomerium, meant that Diana's cult essentially remained a 'foreign' one, like that of Bacchus; she was never officially 'transferred' to Rome as Juno was after the sack of Veii. It seems that her cult originated in Aricia, where her priest, the Rex Nemorensis remained. There the simple open-air fane was held in common by the Latin tribes, which Rome aspired to weld into a league and direct. Diana of the wood was soon thoroughly Hellenized, "a process which culminated with the appearance of Diana beside Apollo in the first lectisternium at Rome". Diana was regarded with great reverence by lower-class citizens and slaves; slaves could receive asylum in her temples. This fact is of difficult interpretation. Wissowa proposed the explanation that it might be because the first slaves of the Romans must have been Latins of the neighbouring tribes.
Though some Roman patrons ordered marble replicas of the specifically Anatolian "Diana" of Ephesus, where the Temple of Artemis stood, Diana was usually depicted for educated Romans in her Greek guise. If she is accompanied by a deer, as in the Diana of Versailles this is because Diana was the patroness of hunting. The deer may also offer a covert reference to the myth of Acteon (or Actaeon), who saw her bathing naked. Diana transformed Acteon into a stag and set his own hunting dogs to kill him.
Worship of Diana is mentioned in the Bible. In Acts of the Apostles, Ephesian metal smiths who felt threatened by Saint Paul’s preaching of Christianity, jealously rioted in her defense, shouting “Great is Diana of the Ephesians!” (Acts 19:28, New English Bible).
Sanctuaries
Diana was an ancient goddess common to all Latin tribes. Therefore many sanctuaries were dedicated to her in the lands inhabited by Latins. The first one is supposed to have been near Alba before the town was destroyed by the Romans.
The Arician wood sanctuary near the lake of Nemi was Latin confederal as testified by the dedicatory epigraph quoted by Cato.
She had a shrine in Rome on the Aventine hill, according to tradition dedicated by king Servius Tullius. Its location is remarkable as the Aventine is situated outside the pomerium, ie original territory of the city, in order to comply with the tradition that Diana was a goddess common to all Latins and not exclusively of the Romans.
Other sanctuaries we know about are listed here below:
Temple of Diana, in Evora, Portugal.
Colle di Corne near Tusculum where she is referred to with the archaic Latin name of deva Cornisca and where existed a collegium of worshippers.
The Algidus Mount, also near Tusculum
At Lavinium
At Tivoli, where she is referred to as Diana Opifera Nemorensis
A sacred wood mentioned by Livy ad computum Anagninum(near Anagni).
On Mount Tifata, near Capua in Campania.
In Ephesus, where she was worshiped as Diana of Ephesus and the temple used to be one of world's seven wonders.
http://en.wikipedia.org/wiki/Diana_(mythology)
Roman mythology and religion
Deities
Apollo · Bacchus (Liber) · Bona Dea · Castor and Pollux · Ceres · Cupid · Diana · Dis Pater · Faunus · Genius · Hercules · Janus · Juno · Jupiter · Lares · Mars · Mercury · Minerva · Orcus · Neptune · Penates · Pluto · Priapus · Proserpina · Quirinus · Saturn · Silvanus · Sol · Venus · Vesta · Vulcan
Abstract deities
Concordia · Fides · Fortuna · Pietas · Spes · Roma · Terra
Legendary founders
Aeneas · Romulus and Remus · Numa Pompilius · Servius Tullius · Ancus Marcius
Texts
Vergil, Aeneid · Ovid, Metamorphoses and Fasti · Propertius, Elegies Book 4 · Apuleius, Metamorphoses (The Golden Ass)
Concepts and practices
Religion in ancient Rome · Festivals · interpretatio graeca · Imperial cult · Temples
Lunar goddesses | Hunting goddesses | Nature goddesses | Childhood goddesses | Virgin goddesses | Roman goddesses | Animal goddesses
Goddess of the hunt
Abode: Mount Olympus
Symbol: Deer
Parents: Jupiter and Latona
Siblings: Apollo
Children: None. She made a vow to stay chaste
Diana (lt. "heavenly" or "divine") was the goddess of the hunt, being associated with wild animals and woodland, and also of the moon in Roman mythology. In literature she was the equivalent of the Greek goddess Artemis, though in cult beliefs she was Italic, not Greek, in origin. Diana was worshiped in ancient Roman religion and is currently revered in Roman Neopaganism and Stregheria. Dianic Wicca, a largely feminist form of the practice, is named for her. Diana was known to be the virgin goddess and looked after virgins and women. She was one of the three maiden goddesses, Diana, Minerva and Vesta, who swore never to marry.
Along with her main attributes, Diana was an emblem of chastity. Oak groves were especially sacred to her. According to mythology, Diana was born with her twin brother Apollo on the island of Delos, daughter of Jupiter and Latona. Diana made up a triad with two other Roman deities: Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god.
Etymology
Diana (pronounced with long 'i' and a') is an adjectival form developed from an ancient *divios, corresponding to later 'divus', 'dius', as in Dius Fidius, Dea Dia and in the neuter form dium meaning the sky. It is rooted in Indoeuropean *d(e)y(e)w meaning bright sky or daylight, from which also derived the name of Vedic god Dyaus and the Latin deus (god), dies (day, daylight)
Theology
The image of Diana is complex and shows various archaic features. According to Dumezil it presents the character of a uranic god of a peculiar nature, referred to in history of religions as 'frame god'. Such gods, while keeping the original features of uranic gods, i.e. transcendent heavenly power and abstention from direct rule on worldly matters, did not face the fate of other uranic gods in Indoeuropean religions of becoming dei otiosi, as they did preserve a peculiar sort of influence over the world and mankind.
The uranic character of Diana is well reflected in her connexion to light, inaccessibility, virginity, dwelling on high mountains and in sacred woods. Diana is thus the representation of the heavenly world (dium) in its character of sovereignty, supremacy, impassibility, indifference towards secular matters as the fate of men and states, while at the same time ensuring the succession of kings and the preservation of mankind through the protection of childbirth.
These functions are apparent in the traditional institutions and cults related to the goddess. 1) The institution of the rex Nemorensis, Diana's sacerdos in the Arician wood, who held its position til somebody else challenged and killed him in a duel, after breaking a branch from a certain tree of the wood. This ever totally open succession reveals the character and mission of the goddess as a guarantee of the continuity of the kingly status through successive generations. The same meaning implying her function of bestower of regality is testified by the story related by Livy of the prediction of empire to the land of origin of the person who would offer her a particularly beautiful cow. 2) Diana was also worshipped by women who sought pregnancy or asked for an easy delivery. This kind of worship is testified by archeological finds of votive statuettes in her sanctuary in the nemus Aricinum as well as by ancient sources, e.g. Ovid.
According to Dumezil the function of frame god is to be traced in an Indian epic hero who is the image of Vedic god Dyaus: having renounced the world, i.e. the role of father and king, he has attained the condititon of an immortal being, although he keeps the duty of ensuring that in his dynasty there are always children and one king for each generation. The Scandinavian god Heimdallr performs an analogous function: he is born first and will die last. He too gives origin to kingship and the first king, bestowing on him regal prerogatives. Diana is a female god but has exactly the same functions, preserving mankind through childbirth and king succession.
Dumezil's interpretation appears to ignore deliberately James G. Frazer's, who connects Diana in her regal function with male god Janus as a divine couple, whereas his description of the type of the frame god would fit his own interpretation of Italic god Janus equally well. Frazer, however, gives a very different interpretation of the couple Diana-Janus: he identifies it with the supreme heavenly couple Juppiter-Juno and connects these figures to the religious Indoeuropean complex tieing regality to the cult of trees, particularly oaks. In this interpretative line the institution of the Rex Nemorensis and his ritual should be related to the theme of the dying god and the kings of May.
Physical Description
Diana often showed as a young girl, age around 13 to 19. It was believed that she had a fair face like Aphrodite with tall body, slim, small hips, and tall forehead. As a goddess of hunting, she wore a very short tunic so she could hunt and run easily and often portrayed holding a bow, carrying a quiver on her shoulder, with a deer or hunting dog, sometimes also her hunting result. But as a goddess of moon, Diana wore a long robe, sometimes a veil covered her head. Both as goddess of hunting and goddess of moon often portrayed wearing a moon crown.
Worship
Diana was initially just the hunting goddess, associated with wild animals and woodlands. She also later became a moon goddess, supplanting Luna. She also became the goddess of childbirth and ruled over the countryside.
Diana was worshipped at a festival on August 13, when King Servius Tullius, himself born a slave, dedicated her shrine on the Aventine Hill in the mid-sixth century BC. Being placed on the Aventine, and thus outside the pomerium, meant that Diana's cult essentially remained a 'foreign' one, like that of Bacchus; she was never officially 'transferred' to Rome as Juno was after the sack of Veii. It seems that her cult originated in Aricia, where her priest, the Rex Nemorensis remained. There the simple open-air fane was held in common by the Latin tribes, which Rome aspired to weld into a league and direct. Diana of the wood was soon thoroughly Hellenized, "a process which culminated with the appearance of Diana beside Apollo in the first lectisternium at Rome". Diana was regarded with great reverence by lower-class citizens and slaves; slaves could receive asylum in her temples. This fact is of difficult interpretation. Wissowa proposed the explanation that it might be because the first slaves of the Romans must have been Latins of the neighbouring tribes.
Though some Roman patrons ordered marble replicas of the specifically Anatolian "Diana" of Ephesus, where the Temple of Artemis stood, Diana was usually depicted for educated Romans in her Greek guise. If she is accompanied by a deer, as in the Diana of Versailles this is because Diana was the patroness of hunting. The deer may also offer a covert reference to the myth of Acteon (or Actaeon), who saw her bathing naked. Diana transformed Acteon into a stag and set his own hunting dogs to kill him.
Worship of Diana is mentioned in the Bible. In Acts of the Apostles, Ephesian metal smiths who felt threatened by Saint Paul’s preaching of Christianity, jealously rioted in her defense, shouting “Great is Diana of the Ephesians!” (Acts 19:28, New English Bible).
Sanctuaries
Diana was an ancient goddess common to all Latin tribes. Therefore many sanctuaries were dedicated to her in the lands inhabited by Latins. The first one is supposed to have been near Alba before the town was destroyed by the Romans.
The Arician wood sanctuary near the lake of Nemi was Latin confederal as testified by the dedicatory epigraph quoted by Cato.
She had a shrine in Rome on the Aventine hill, according to tradition dedicated by king Servius Tullius. Its location is remarkable as the Aventine is situated outside the pomerium, ie original territory of the city, in order to comply with the tradition that Diana was a goddess common to all Latins and not exclusively of the Romans.
Other sanctuaries we know about are listed here below:
Temple of Diana, in Evora, Portugal.
Colle di Corne near Tusculum where she is referred to with the archaic Latin name of deva Cornisca and where existed a collegium of worshippers.
The Algidus Mount, also near Tusculum
At Lavinium
At Tivoli, where she is referred to as Diana Opifera Nemorensis
A sacred wood mentioned by Livy ad computum Anagninum(near Anagni).
On Mount Tifata, near Capua in Campania.
In Ephesus, where she was worshiped as Diana of Ephesus and the temple used to be one of world's seven wonders.
Diana and Her Nymphs
by Willem van Mieris
http://en.wikipedia.org/wiki/Diana_(mythology)
Roman mythology and religion
Deities
Apollo · Bacchus (Liber) · Bona Dea · Castor and Pollux · Ceres · Cupid · Diana · Dis Pater · Faunus · Genius · Hercules · Janus · Juno · Jupiter · Lares · Mars · Mercury · Minerva · Orcus · Neptune · Penates · Pluto · Priapus · Proserpina · Quirinus · Saturn · Silvanus · Sol · Venus · Vesta · Vulcan
Abstract deities
Concordia · Fides · Fortuna · Pietas · Spes · Roma · Terra
Legendary founders
Aeneas · Romulus and Remus · Numa Pompilius · Servius Tullius · Ancus Marcius
Texts
Vergil, Aeneid · Ovid, Metamorphoses and Fasti · Propertius, Elegies Book 4 · Apuleius, Metamorphoses (The Golden Ass)
Concepts and practices
Religion in ancient Rome · Festivals · interpretatio graeca · Imperial cult · Temples
Lunar goddesses | Hunting goddesses | Nature goddesses | Childhood goddesses | Virgin goddesses | Roman goddesses | Animal goddesses
Wednesday, May 9, 2007
Deities of nature
Deities by association (gods or goddesses of nature)
Links
http://en.wikipedia.org/wiki/Category:Deities_by_association
| Ataegina | Lusitanian | ♀ | Ataegina (Portuguese: Atégina) was the goddess of rebirth (spring), fertility, nature, and healing in the Lusitanian mythology, in the cultural area of Lusitania. |
| Flora | Roman | ♀ | Flora was a goddess of flowers and the season of spring. |
Links
http://en.wikipedia.org/wiki/Category:Deities_by_association
Saturday, June 5, 1982
Freyr (Norse)
Freyr
Freyr (sometimes anglicized Frey, from *frawjaz "lord") is one of the most important gods of Norse paganism. Freyr was highly associated with farming, weather and, as a phallic fertility god, Freyr "bestows peace and pleasure on mortals". Freyr, sometimes referred to as Yngvi-Freyr, was especially associated with Sweden and seen as an ancestor of the Swedish royal house.
In the Icelandic books the Poetic Edda and the Prose Edda, Freyr is presented as one of the Vanir, the son of the sea god Njörðr, brother of the goddess Freyja. The gods gave him Álfheimr, the realm of the Elves, as a teething present. He rides the shining dwarf-made boar Gullinbursti and possesses the ship Skíðblaðnir which always has a favorable breeze and can be folded together and carried in a pouch when it is not being used. He has the servants Skírnir, Byggvir, and Beyla.
The most extensive surviving Freyr myth relates Freyr's falling in love with the female jötunn Gerðr. Eventually, she becomes his wife but first Freyr has to give away his magic sword which fights on its own "if wise be he who wields it". Although deprived of this weapon, Freyr defeats the jötunn Beli with an antler. However, lacking his sword, Freyr will be killed by the fire jötunn Surtr during the events of Ragnarök.
http://en.wikipedia.org/wiki/Freyr
Mythological kings of Sweden | Indo-European deities | Fertility gods | Agricultural gods | Nature gods | Sky and weather gods | Solar gods | Love and lust gods | Mythological kings | Vanir
Freyr (sometimes anglicized Frey, from *frawjaz "lord") is one of the most important gods of Norse paganism. Freyr was highly associated with farming, weather and, as a phallic fertility god, Freyr "bestows peace and pleasure on mortals". Freyr, sometimes referred to as Yngvi-Freyr, was especially associated with Sweden and seen as an ancestor of the Swedish royal house.
In the Icelandic books the Poetic Edda and the Prose Edda, Freyr is presented as one of the Vanir, the son of the sea god Njörðr, brother of the goddess Freyja. The gods gave him Álfheimr, the realm of the Elves, as a teething present. He rides the shining dwarf-made boar Gullinbursti and possesses the ship Skíðblaðnir which always has a favorable breeze and can be folded together and carried in a pouch when it is not being used. He has the servants Skírnir, Byggvir, and Beyla.
The most extensive surviving Freyr myth relates Freyr's falling in love with the female jötunn Gerðr. Eventually, she becomes his wife but first Freyr has to give away his magic sword which fights on its own "if wise be he who wields it". Although deprived of this weapon, Freyr defeats the jötunn Beli with an antler. However, lacking his sword, Freyr will be killed by the fire jötunn Surtr during the events of Ragnarök.
http://en.wikipedia.org/wiki/Freyr
Mythological kings of Sweden | Indo-European deities | Fertility gods | Agricultural gods | Nature gods | Sky and weather gods | Solar gods | Love and lust gods | Mythological kings | Vanir
Tuesday, December 15, 1981
Flora (Roman)
Flora
In Roman mythology, Flora was a goddess of flowers and the season of spring. While she was otherwise a relatively major figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime. Her festival, the Floralia, was held in April or early May and symbolized the renewal of the cycle of life, drinking, and flowers. Her Greek equivalent was Chloris. Flora was married to Favonius, the wind god, and her companion was Hercules. Her name is derived from the Latin word "flos" which means "flower." In modern English, "Flora" also means the plants of a particular region or period.
Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had ever enjoyed in ancient Rome.
One of the fairies in the Sleeping Beauty is named Flora after this goddess.
http://en.wikipedia.org/wiki/Flora_(mythology)
Roman goddesses | Fertility goddesses | Spring | Nature goddesses
In Roman mythology, Flora was a goddess of flowers and the season of spring. While she was otherwise a relatively major figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime. Her festival, the Floralia, was held in April or early May and symbolized the renewal of the cycle of life, drinking, and flowers. Her Greek equivalent was Chloris. Flora was married to Favonius, the wind god, and her companion was Hercules. Her name is derived from the Latin word "flos" which means "flower." In modern English, "Flora" also means the plants of a particular region or period.
Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had ever enjoyed in ancient Rome.
One of the fairies in the Sleeping Beauty is named Flora after this goddess.
http://en.wikipedia.org/wiki/Flora_(mythology)
Roman goddesses | Fertility goddesses | Spring | Nature goddesses
Wednesday, January 21, 1981
Faunus (Roman)
Faunus (Roman)
Alternative Names (異題):
Faunus, 파우누스, 파투우스, Pan(Greek), 판-
In ancient Roman religion and myth, Faunus was the horned god of the forest, plains and fields; when he made cattle fertile he was called Inuus. He came to be equated in literature with the Greek god Pan.
Faunus was one of the oldest Roman deities, known as the di indigetes, and according to the epic poet Virgil, he was a legendary king of the Latins, who came with his people from Arcadia, and whose shade was consulted as a god of prophecy, under the name of Fatuus, with oracles in the sacred grove of Tibur, around the well Albunea, and on the Aventine Hill in ancient Rome itself
Marcus Terentius Varro asserted that the oracular responses were given in Saturnian verse. Faunus revealed the future in dreams and voices that were communicated to those who came to sleep in his precincts, lying on the fleeces of sacrificed lambs. W. Warde Fowler suggested that Faunus is identical with Favonius, one of the Roman wind gods (compare the Anemoi).
Consorts and family
A goddess of like attributes, called Fauna and Fatua, was associated in his worship. She was regarded sometimes as his wife, sometimes as his sister. As Pan was accompanied by the Paniskoi, or little Pans, so the existence of many Fauni was assumed besides the chief Faunus. In fable Faunus appears as an old king of Latium, son of Picus, and grandson of Saturnus, father of Latinus by the nymph Marica. After his death he is raised to the position of a tutelary deity of the land, for his many services to agriculture and cattle-breeding.
Faunus was known as the father or husband or brother of Bona Dea (Fauna, his feminine side) and Latinus by the nymph Marica (who was also sometimes Faunus' mother). Fauns are place-spirits (genii) of untamed woodland. Educated, Hellenizing Romans connected their fauns with the Greek satyrs, who were wild and orgiastic drunken followers of Dionysus, with a distinct origin.
Festivals
The Christian writer Justin Martyr identified him as Lupercus ("he who wards off the wolf"), the protector of cattle, following Livy, who named his aspect of Inuus as the god who was originally worshiped at the Lupercalia, celebrated on the anniversary of the founding of his temple, February 15, when his priests (Luperci) wore goat-skins and hit onlookers with goat-skin belts.
Two festivals, called Faunalia, were celebrated in his honour—one on the 13th of February, in the temple of Faunus on the island in the Tiber, the other on the 5th of December, when the peasants brought him rustic offerings and amused themselves with dancing (Peck 1898).
A euhemeristic account made Faunus a Latin king, son of Picus and Canens. He was then revered as the god Fatuus after his death, worshipped in a sacred forest outside what is now Tivoli, but had been known since Etruscan times as Tibur, the seat of the Tiburtine Sibyl. His numinous presence was recognized by wolf skins, with wreaths and goblets.
In Nonnos' Dionysiaca, Faunus/Phaunos accompanied Dionysos when the god campaigned in India.
Equation with Pan
With the increasing Hellenization of literate upper-class Roman culture in the 3rd and 2nd centuries BC, the Romans tried to equate their own deities with one of the Greeks', applying in reverse the Greeks' own interpretatio graeca. Faunus was naturally equated with the god Pan, who was a pastoral god of shepherds who was said to reside in Arcadia. Pan had always been depicted with horns and as such many depictions of Faunus also began to display this trait. However, the two deities were also considered separate by many, for instance, the epic poet Virgil, in his Aeneid, made mention of both Faunus and Pan independently.
Later worship
Faunus was worshipped across the Roman Empire for many centuries. An example of this was a set of thirty-two 4th-century spoons found near Thetford in England in 1979. They had been engraved with the name "Faunus", and each also had a different epithet after the god's name. The spoons also bore Christian symbols, and it has been suggested that these were initially Christian but later taken and devoted to Faunus by pagans. The 4th century was a time of largescale Christianisation, and the discovery provides us with evidence that even during the decline of Roman paganism, the god Faunus was still worshipped. In Gaul, Faunus was identified with the Celtic Dusios.
http://en.wikipedia.org/wiki/Faunus
Roman mythology | Roman gods | Horned deities | Agricultural gods | Animal gods | Nature gods | Oracular gods | Mythological kings
Alternative Names (異題):
Faunus, 파우누스, 파투우스, Pan(Greek), 판-
In ancient Roman religion and myth, Faunus was the horned god of the forest, plains and fields; when he made cattle fertile he was called Inuus. He came to be equated in literature with the Greek god Pan.
Faunus was one of the oldest Roman deities, known as the di indigetes, and according to the epic poet Virgil, he was a legendary king of the Latins, who came with his people from Arcadia, and whose shade was consulted as a god of prophecy, under the name of Fatuus, with oracles in the sacred grove of Tibur, around the well Albunea, and on the Aventine Hill in ancient Rome itself
Marcus Terentius Varro asserted that the oracular responses were given in Saturnian verse. Faunus revealed the future in dreams and voices that were communicated to those who came to sleep in his precincts, lying on the fleeces of sacrificed lambs. W. Warde Fowler suggested that Faunus is identical with Favonius, one of the Roman wind gods (compare the Anemoi).
Consorts and family
A goddess of like attributes, called Fauna and Fatua, was associated in his worship. She was regarded sometimes as his wife, sometimes as his sister. As Pan was accompanied by the Paniskoi, or little Pans, so the existence of many Fauni was assumed besides the chief Faunus. In fable Faunus appears as an old king of Latium, son of Picus, and grandson of Saturnus, father of Latinus by the nymph Marica. After his death he is raised to the position of a tutelary deity of the land, for his many services to agriculture and cattle-breeding.
Faunus was known as the father or husband or brother of Bona Dea (Fauna, his feminine side) and Latinus by the nymph Marica (who was also sometimes Faunus' mother). Fauns are place-spirits (genii) of untamed woodland. Educated, Hellenizing Romans connected their fauns with the Greek satyrs, who were wild and orgiastic drunken followers of Dionysus, with a distinct origin.
Festivals
The Christian writer Justin Martyr identified him as Lupercus ("he who wards off the wolf"), the protector of cattle, following Livy, who named his aspect of Inuus as the god who was originally worshiped at the Lupercalia, celebrated on the anniversary of the founding of his temple, February 15, when his priests (Luperci) wore goat-skins and hit onlookers with goat-skin belts.
Two festivals, called Faunalia, were celebrated in his honour—one on the 13th of February, in the temple of Faunus on the island in the Tiber, the other on the 5th of December, when the peasants brought him rustic offerings and amused themselves with dancing (Peck 1898).
A euhemeristic account made Faunus a Latin king, son of Picus and Canens. He was then revered as the god Fatuus after his death, worshipped in a sacred forest outside what is now Tivoli, but had been known since Etruscan times as Tibur, the seat of the Tiburtine Sibyl. His numinous presence was recognized by wolf skins, with wreaths and goblets.
In Nonnos' Dionysiaca, Faunus/Phaunos accompanied Dionysos when the god campaigned in India.
Equation with Pan
With the increasing Hellenization of literate upper-class Roman culture in the 3rd and 2nd centuries BC, the Romans tried to equate their own deities with one of the Greeks', applying in reverse the Greeks' own interpretatio graeca. Faunus was naturally equated with the god Pan, who was a pastoral god of shepherds who was said to reside in Arcadia. Pan had always been depicted with horns and as such many depictions of Faunus also began to display this trait. However, the two deities were also considered separate by many, for instance, the epic poet Virgil, in his Aeneid, made mention of both Faunus and Pan independently.
Later worship
Faunus was worshipped across the Roman Empire for many centuries. An example of this was a set of thirty-two 4th-century spoons found near Thetford in England in 1979. They had been engraved with the name "Faunus", and each also had a different epithet after the god's name. The spoons also bore Christian symbols, and it has been suggested that these were initially Christian but later taken and devoted to Faunus by pagans. The 4th century was a time of largescale Christianisation, and the discovery provides us with evidence that even during the decline of Roman paganism, the god Faunus was still worshipped. In Gaul, Faunus was identified with the Celtic Dusios.
http://en.wikipedia.org/wiki/Faunus
Roman mythology | Roman gods | Horned deities | Agricultural gods | Animal gods | Nature gods | Oracular gods | Mythological kings
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